Sofia Gubaidulina’s religious nature, specifically Russian Orthodox, finds expression in each of these pieces. Each also makes use of her much-loved bayan, the. Check out Gubaidulina: In Croce / 10 Preludes / Quaternion by Alexander Ivashkin on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on. “Written over a span of forty years, these compositions by Sofia Gubaidulina have become staples of the double bass literature. In Pantomime one immediately.

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GUBAIDULINA Seven Words. In croce. Kadenza. Et exspecto

Drinking Hanging Out In Love. One of the many works in which Sofiya Gubaydulina makes reference to Christian themes and imagery, In croce was composed in for gubaldulina Vladimir Tonkha, who, along with organist Oleg Yanchenko gave the work its first performance in the concert hall of the Moscow Conservatory.

Jazz Latin New Age. Chamber Music from Russia. In croce; Quaternion; Ten Preludes.

After some wild playing from both instruments, the mood grows hushed again; dissonant chords in the organ accompany the barest of textures from the cello as they both converge again on E. Chamber Music for Bayan. The all-time greats Read about the artists who changed the world of classical music. Romantic Evening Sex All Themes. AllMusic relies heavily on JavaScript.


As the work progresses the two instruments begin to approach each other, eventually crossing in the most aggressive passage. This is a remarkable, compelling work. Composition Artist Credits Seven Words. Both instruments center their activities on the note E. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.

Sofia Gubaidulina – In Croce

With In crocea number of cross-like ideas derive from the title — crossing of registers, crossing of lines and textures and so on — which are essentially private creative stimuli for the composer. Please enable JavaScript in your browser to use the gbuaidulina fully. Sofia Gubaidulina, Galina Ustvolskaya: The work’s title can mean either “On the Cross” or “Cross-Wise,” and it carres a musical meaning, along with the obvious Christian one.

In Croce; Seven Last Words.

In croce, for cello & organ (or bayan)

Later on, Gubaydulina began to incorporate the bayan, the Russian push-button accordion, into her works, and she and bayan player Elsbeth Moser rearranged In croce for cello and bayan in AllMusic Featured Composition Noteworthy. Gramophone products and those of specially selected partners from the world of music. Genre Chamber Music Classical. Seven Words; Silenzio; In Croce. Introspection Late Night Partying.


Et exspecto Spanish performers in spiritual utterances from Gubaidulina View record and artist details Record and Artist Details. Chamber Music with Double Bass. Share on facebook twitter tumblr.

Streams Videos All Posts. Roughly speaking, the organ or bayan begins the work playing comparatively diatonic music in the upper part of its register, while iin cello plays spare tones in its lower register.

The work’s ending is quiet and somber. But in the major work on the record, the half-hour Seven Gubaiduinathe sentences spoken by Jesus on the cross are graphically, even fervently implied. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database. Skip to main content.

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