DURUFLE PRELUDE AND FUGUE ON ALAIN PDF
The Prélude et Fugue sur le nom d’Alain, Op 7, is a tribute to Duruflé’s friend and colleague and the brother of the distinguished organist. Maurice Duruflé was a French composer, organist, and teacher. Contents. 1 Life and career Prélude et fugue sur le nom d’Alain op. 7 (); Prélude sur. Results 1 – 10 of 36 This page lists all recordings of Prelude & Fugue sur le nom d’Alain, Op. 7 by Maurice Duruflé ().
|Published (Last):||7 May 2014|
|PDF File Size:||18.83 Mb|
|ePub File Size:||3.11 Mb|
|Price:||Free* [*Free Regsitration Required]|
L’ Organiste Parisien, Ritchie and George B.
Maurice Duruflé – Prélude et fugue sur le nom d’Alain op. 7 () | CLASSICALCOM
Summer, This restatement serves as the closing gesture of Section B. Lanham, Maryland, and London,5. Each section develops its own vector, its own force of contrasting shape and direction, which needs resolution or balance.
The two fugue subjects are expounded separately in compound time: Streams Videos All Posts. Click track numbers above to select. Retrieved from ” https: This page was last edited on 20 Decemberat Fill in your details below or click an icon to log in: The development suggests a radiant smile before the scherzo returns, contrapuntally worked to a brilliant climax of great power.
The semiquavers of the subsidiary theme gradually take on the character of a toccata and the work ends in a blaze not only as a memorial but also as a celebration of one of the truly original voices in twentieth-century French music by one of the finest organ composers of any time. At the end of the prelude actually directly quotes the Lianties theme. In he entered at Paris Conservatoire and achieved great success while studying there.
His organ works show impressionistic characteristics leading him to be described as the Ptelude of the organ.
He formed dururle original style by employing impressionism and Gregorian chant in his music. Subject 2 This fugue has two subjects and the second subject is derived from the counter subject of the first one.
Prelude and Fugue on the name A.L.A.I.N., for organ, Op. 7
At the same time, the F on the final eighth note at bar 42 and G on the next measure, changes the mode into lydian toward the B Section. Skip to main content.
He compsed the fugue with his own color and sense of time that he presented in the prelude. This is only after the second statement of Subject 1 after the exposition. Remember me on this computer. Playing with Time and Form, Hyperion offers both CDs, and downloads in a number of formats. Log In Sign Up. First section A can be described as perpetual motion in triplets.
Organ Technique, Modern and Early, ed. Complete Music for Choir and Organ. Ronald Ebrecht The Scarecrow Press: He was promoted to an Officier de la Legion d’honneur in He was posthumously awarded the Croix de Guerre for his bravery and was buried by the Germans with full military honours.
From Vierne he learned forms and structures as well as organ’s capability. You are commenting using your WordPress. In other projects Wikimedia Commons.