The Agama shastras are based in the belief that the divinity can be The Agamas recognize that means as the archa, the worship methods unique to each .. MADHA NAMA YEAR according to telugu calander year shiva linga pratisha canot. Books dealing with spiritual wellbeing are Vedas, Sastras, Agamas, Puranas, . It is only in the Tamil and Telugu countries that higher purity was maintained. They are relevant in the context of each ones idea of needs and aspirations; fears and agama shastra in telugu pdf safety and prosperity; and, the pleasures and.

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I am looking for pooja room dimensions in the house and details on the pooja materials viz. I have Banalingams of 4inches, 1. Though i am doing poojas daily as come in the mind, a right procedure would help me to understand and do the poojas as precribed. Brief and shastraa information on Agamas Tantra, Agama and Vaikhnasa is very useful. It is understandable and initiates the reader to take more interest to study Agamas to quench the thirst of the realm of self – the aim of the evolved Man.

You may like to check the following links. Tantra Agama Part One Tantra. Tantra Agama Part Two Agama. I know a bit about this. But, I may not sbastra competent to advice you on the specifics of the issue. I am shastar sorry. Gnanananda, who has authored several books on Shilpa Shastra. This is a very informative article; and it cleared many of my doubt regarding the origin of dualism in our culture.

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I think dualism cannot be ignored and has a rightful place in our Hindu worship. Dear Hindhuthanks for the visit. Yes; I agree with your observation. Home Talk Property Beat. Search Member Search Keyword. Creative General Agama Zgama and Temple worship.

Agama Shastra and Temple worship. The Hindu temples are complex institutions. They represent the culmination of social and religious aspirations of a society.

Temple is the focal point in the life of a community and often represents its pride, identity and unity. It is also the index of the community’s wellbeing. It draws into its fold people from its various segments and denominations; and binds them together. In smaller communities the temple apart from being a source of spiritual or religious comfort, also serves as center for education and recreation.

A temple is also a treasure house of art and architecture, designed according shastraa the principle of Vaastu Shastra, characterized by their majesty, serenity and beauty of intricate tflugu and designs. A temple evokes in the visitor a sense of beauty in art and in life as well. It lifts up his spirit, elevates him to a higher plane dissolving his little ego. At the same time, it awakens him to his insignificance in the grand design of the Creator.

The most significant aspect of the temple worship avama its collective character. Peoples’ participation is both the purpose and the means of a temple.

Agama shastra in telugu pdf download

The community is either actually or symbolically involved in temple worship. The rituals that dominate temple worship are therefore socio- religious in character.

The worship in a temple has to satisfy the needs of individuals as also of the community. The worships that take place in the sanctum and within the temple premises are important; so are the festivals and occasional processions that involve direct participation of the entire community.

They complement each other. The appointed priests carry out the worship in the temple on behalf of other devotees. It is hence pararthaa service conducted for the sake of others. Priests, generally, trained in ritual procedures, pursue the service at the temple as a profession. As someone remarked, “other people may view their work as worship, but for the priests worship is work.

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The texts employed in this regard describe the procedural details of temple worship, elaborately and precisely. Agama is also that which helps to understand things correctly and comprehensively. Agama Shastras are not part of the Vedas. The Agamas do not derive their authority directly from the Vedas.

They are Vedic in spirit and character and make use of Vedic mantras while performing the service. The Agama shastras are based in the belief that the divinity can be approached in two ways. It can be viewed as nishkala, formless jn absolute; or as sakala having specific aspects. Nishkala is all-pervasive and is neither explicit nor is it visible. It is analogues, as the Agama texts explain, to the oil in the sesame-seed, fire in the fuel, butter in milk, and scent in flower.

It is in human shastraa antaryamin, the inner guide. It has no form and is not apprehended by sense organs, which includes agamaa. Sakala, on the other hand, is explicit energy like the fire that has emerged out of the fuel, oil extracted out of the seed, butter that floated to the surface after churning milk or like the fragrance that spreads and delights all. That energy can manifest itself in different forms and humans can approach those forms through appropriate means.

The Agamas recognize that means as the archa, the worship methods unique to each form of energy-manifestation or divinity. The Vedas do not discuss about venerating the icons; though the icons prathima or prathika were known to be in use. Their preoccupation was more with the nature, abstract divinities and not with their sgastra representations. The Vedas did however employ a number of symbols, such as the wheel, umbrella, spear, noose, foot-prints, lotus, goad and vehicles etc.

These symbols, in the later ages, became a part of the vocabulary of the iconography. The idea of multiple forms of divinity was in the Vedas.

They spoke about thirty-three divinities classified into those of the earth, heaven and intermediate regions. Those comprised twelve adityas, aspects of energy and life; eleven rudras, aspects ferocious nature; eight vasus, the directional forces; in addition to the earth and the space. The aspects of the thirty-three divinities were later condensed to three viz.

Agni, the aspect of fire, energy and life on earth; Vayu, the aspect of space, movement and air in the mid-region; and Surya the universal energy and life that sustains and governs all existence, in the heavenly region, the space.

This provided the basis for the evolution of the classic Indian trinity, the Brahma, Shiva and Vishnu. Rig Veda at many places talks in terms of saguna, the supreme divinity with attributes.

The Vedanta ideals of the absolute, attribute- less and limit-less universal consciousness evolved as refinements of ib Vedic concepts. The Upanishads are the pinnacles of idealism that oversee all horizons. But, in practice common people worshipped variety of gods in variety of ways for variety of reasons.

They are relevant in the context of each ones idea of needs and aspirations; fears and hopes; safety and prosperity; and, the pleasures and pains. One often hears Agama and Nigama mentioned in one breath as if one follows the other or that both are closely related. However, Nigama stands for Vedas and Agama is identified with Tantra. The two traditions- Veda and Tantra — hold divergent views on matters such as God; relationship between man and God; the ways of worship; and path to salvation etc.

The Vedic concept of God is omniscient, omnipotent, a formless absolute entity manifesting itself in phenomenal world of names and forms. The Agama which is a part of Etlugu regards God as a personal deity with recognizable forms and attributes. Vedic worship is centered on the fire the Yajnacertain religious and domestic rituals, shrauta sutraas and griyha sutraasand the sacraments, samskaara.


In this tradition, the gods and their descriptions are, mostly, symbolic. The hymns of the Rig Veda are the inspired outpourings of joy and revelations through sublime poetry. The Yajur and Sama Vedas do contain suggestions of sacrifices; but they too carry certain esoteric symbolic meaning. Very few of these rituals shasttra in common practice today. The most widespread rituals of worship today are of the Aagamic variety.

The Agama methods are worship of images of God through rituals Tantrasymbolic charts Yantra and verbal symbols Mantra. Agama regards devotion and complete submission to the deity as fundamental to pursuit of its aim; and hopes that wisdom, enlightenment jnana would follow, eventually, by the grace of the worshipped deity.

The Agama is basically dualistic, seeking grace, mercy and love of the Supreme God represented by the personal deity, for liberation from earthly attachments moksha. As compared to Vedic rituals Yajnas which are collective in form, where a number of priests specialized in each disciple of the Sacrifical aspects participate; the Tantra or Agamic worship is individualistic in character. It views the rituals as a sort of direct communication between the worshipper and his or her personal deity.

The Yajnas always take place in public places and are of congregational nature; and in which large numbers participate with gaiety and enthusiasm. A Tantra ritual, on the other hand, is always carried out in quiet privacy; self discipline and intensity is its hallmark, not exuberance or enthusiasm.

Here, at the temple, both the Agama worship-sequences and the symbolic Tantric rituals take place; but each in its sphere. A temple in Hindu tradition is a public place of worship; several sequences of worship are conducted in full view of the worshipping devotees; and another set of Tantric rituals are conducted by the priests in the privacy of the sanctum away from public gaze.

The worship or service to the Deity is respectfully submitted to the accompaniment of chanting of passages and mantras taken from Vedas. There also plenty of celebrations where all segments of the community joyously participate janapada with great enthusiasm and devotion; such as the periodic Utsavas, processions, singing, dancing, playacting, colorful lighting, spectacular fireworksofferings of various kinds etc.

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It could be argued that a etlugu of the Supreme Godhead is theoretically impossible; yet one has also to concede that an image helps in contemplation, visualization and concretization of ideas and aspirations.

Towards that end, the worship in a temple takes the aid several streams ideologies and practices. This has the advantage of claiming impressive validity from Nigama, the Vedas; and at the same time, carrying out popular methods of worship.

The Agama texts combined the rules of the Grihya sutras with the Tantric practices and formed their own set of rules. The Agamas, predominantly, adopted the Vedic style Homas and Yajnas, which were conducted in open and in which a large number of people participated. Agamas are a set of ancient texts and are the guardians of tradition. They broadly deal with jnana knowledgeYoga meditationKriya rituals and Charya ways of worship.